A novelist writes about intercourse and steals through the most useful
“As a matter of known fact,” F. Scott Fitzgerald had written, “I have always been a specialist literary thief, hot following the most readily useful types of every journalist in my own generation.”
And oh, exactly how hot we authors are. We’re expert literary thieves, also when we don’t understand it; we absorb and take and research. We take style (think stream-of-consciousness). We take plot (think The Hours and Cunningham’s adaptation of Woolf’s Mrs. Dalloway). We take the “vibe” of something—using epigraphs as being a real method getting the character and power of some other author’s work. And then we take nerve. We’ve probably all felt exhilarated after reading an writer whom causes us to be feel differently.
Gabriel Garcia Marquez, after reading the line that is first of The Metamorphosis, wrote: “When I read that line, we thought to myself that i did son’t understand anyone ended up being allowed to compose things such as that. If I experienced understood, i might have begun composing in the past. Therefore I immediately began composing.”
Its this form of stealing that I’m many thinking about. Certainly, my thievery involves stealing one thing—the neurological to create about intercourse. Perhaps perhaps Not love, maybe not porn, but sex, the genuine mess from it, the moments that don’t get well, the changing times which do, the embarrassing or vulnerable moments that happen when two different people meet up, naked. Continuar leyendo «A Writer’s Suggestion for Composing Better Sex Scenes: Steal»